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Catalogue

Works for solo instrument
Chamber music
Works for ensemble
Works for orchestra
Works for voice
Theatre music
Transcriptions
Paolo Ferrari and Vittorio Zago: composition by two

Vittorio Zago: water-colours, patches, mixed technique, calligrams.

and made your comment

Vittorio Zago "Le giornate di un compositore" O barra O edizioni

Works for solo instrument

*Imago* (1989)
for guitar duration: about 8’
on the piece writing	score sample	audio excerpt

*Tratti* (1989-91)
eleven pieces for guitar duration: about 16’ publisher: Ed. Bèrben
on the piece writing	score sample	audio excerpt

*Verba volant* (1990-91)
for flute duration: about 9’
on the piece writing	score sample	audio excerpt

*…pulvis sum…* (1994-95)
digressions for harp duration: about 10’55” Recorded on CD (Audio production – AP 971058; harp Mahalia Kelz) Finalist at the International Composition Competition “Emmy Hurlimann” in Geneva 1995
on the piece writing	score sample	audio excerpt

*Lamento* (1997)
for viola duration: about 4’40” / 5’10” Special mention at the International Composition Competition “Valentino Bucchi” in Rome 1997
on the piece writing	score sample	audio excerpt

*Lamento* (1997)
for cello duration: about 4’40” / 5’10”
on the piece writing	score sample	audio excerpt

*Preludio e corale dematerializzati* (1998)
for organ duration: about 8’30” …after having observed a figurative work by Paolo Ferrari
on the piece writing	score sample	audio excerpt

Improvviso ! (1999)
for piano duration: about 2’40” / 3’ 00”
on the piece writing	score sample	audio excerpt

*...à trois*** (2004)
for alto saxophone duration: about 7'
on the piece writing	score sample	audio excerpt

*Studi per violino* (2004)
six studies for violin duration: about 20'
on the piece writing	score sample	audio excerpt

*Women's carpets II* (2011)
for guitar duration: about 16’07” Written for Marco Minà
on the piece writing	score sample	audio excerpt

Chamber music

*Reliefs* (1991-92)
seven aphorisms for string quartet duration: about 6’10”
on the piece writing	score sample	audio excerpt

*Ombra diva mi scuoti* (1992)
for violin and piano duration: about 7’
on the piece writing	score sample	audio excerpt

*Ek/stasis* (1993)
for two amplified guitars duration: about 5’30”
on the piece writing	score sample	audio excerpt

*Taibhsì* (1993)
for harp, viola and flute duration: about 13’ publisher: Ed. Ricordi 1^st Prize at the National Composition Competition “Goffredo Petrassi” in Parma 1994
on the piece writing	score sample	audio excerpt

*Guardame, guardame* (1995)
for flute, lute e percussion duration: about 9’ Finalist at the National Composition Competition “Castello di Belveglio” 1995
on the piece writing	score sample	audio excerpt

*Se il prato fiorito è ancor* (1995)
for flute and harpsichord duration: about 8’
on the piece writing	score sample	audio excerpt

*Guardame, guardame* (1996)
version for flute, B-flat clarinet , cello and percussion duration: about 9’
on the piece writing	score sample	audio excerpt

*Se il prato fiorito è ancor* (1996)
version for flute and guitar duration: about 8’
on the piece writing	score sample	audio excerpt

*Se il prato fiorito è ancor* (1997)
version for flute, violin and piano duration: about 8’ 3^rd Prize at the National Composition Competition “Castello di Belveglio” 1997
on the piece writing	score sample	audio excerpt

*Le point et le vent* (1998)
for wind quintet duration: about 10’ Finalist at the “Progetto Giovani Compositiori” by Orchestra Cantelli in Milan 1999
on the piece writing	score sample	audio excerpt

*Lianu* (2001)
for flute, trombone (or horn), percussion (1 player) duration: about 7’ Selected and awarded composition at the “Progetto Giovani Compositiori” in Milan 2001
on the piece writing	score sample	audio excerpt

*Ricercari* (2001)
for violin, flute, B-flat clarinet, cello duration: about 9’30”
on the piece writing	score sample	audio excerpt

*Rappels* (2006)
for brass quintet (2 C trumpets, horn, tenor-bass trombone, F tuba) duration: about 8’00” Written for the "Milano Brass Ensemble"
on the piece writing	score sample	audio excerpt

*...a (d)ue [0]* (2009)
for violin and harp duration: about 7’00” Written for Catalina Spataru and Giulia Rettore
on the piece writing	score sample	audio excerpt

*Women's carpets* (2010)
for cello and piano duration: about 16’16” Written for Martina Lopez and Clelia Cafiero
on the piece writing	score sample	audio excerpt

Works for ensemble

*Metus animi* (1995)
for eleven flutes [1 piccolo – 5 C flutes (two double with piccolo) – 3 alto flutes – 2 bass flutes] duration: about 9’
on the piece writing	score sample	audio excerpt

*Guardame, guardame* (1996)
version for flute, B-flat clarinet, horn, viola, cello, double bass and percussion (2 player) duration: about 9’
on the piece writing	score sample	audio excerpt

*Dancing ways* (1997)
for 8 players [flute (piccolo), B-flat clarinet (E-flat cl.), alto saxophone , B-flat trumpet, violin, double bass, piano, drums and percussion (1 player)] duration: about 12’
on the piece writing	score sample	audio excerpt

*Effimere forme . . . luci dubbiose* (1999)
for flute, A clarinet, two guitars, violin and cello duration: about 10’30”
on the piece writing	score sample	audio excerpt

*KCK (Kleines Cellokonzert)* (1999-2000)
for solo cello, flute (double in alto flute), B-flat clarinet (double in bass clarinet), violin, viola, tubular bells and vibraphone (1 player) duration: about 9’30”
on the piece writing	score sample	audio excerpt

*KHK (Kleines Harfenkonzert)* (2002)
for solo harp, flute, B-flat clarinet, violin viola, cello and percussion (vibraphone, glockenspiel, wood-blocks and cymbal: 1 player) duration: about 10'40" Special mention at the International Composition Competition “Camillo Togni” in Brescia 2002
on the piece writing	score sample	audio excerpt

*Syntaxis sint*ēxis (2003)
for flute (double in piccolo), B-flat clarinet, bassoon, viola, cello, double-bass, piano and percussion (3 tom-toms, rolling-drum, vibraphone,1 big wood-blocks and cymbal: 1 player) duration: about 4'30"
on the piece writing	score sample	audio excerpt

Works for orchestra

*Anamnesis* (1992)
for string orchestra or thirteen amplified soloists duration: about 7’
on the piece writing	score sample	audio excerpt

*Divertimento* (1993)
for symphony orchestra [2,2,2,2 - 4,3,3 - timp – 3 perc - 11,9,7,5,3] duration: about 10’40”
on the piece writing	score sample	audio excerpt

*Nagara* (1995)
for solo flute, string orchestra [7,6,5,4,2], percussion (1 player) and (optional) harpsichord duration: about 13’
on the piece writing	score sample	audio excerpt

*Der Frauentanz* (1996-97)
for string orchestra to themes by W.A.Mozart [minimum 6,5,4,3,2 – recommend 9,8,6,5,4] duration: about 10’ 3^rd Prize at the International Composition Competition “Città di Pavia” 1997
on the piece writing	score sample	audio excerpt

*Dancing ways II* (1998)
for hurdy-gurdy and string orchestra [5,4,3,2,1] or for hurdy-gurdy and string quartet duration: about 8’ 3^rd Prize at the International Composition Competition “Città di Pavia” 1998
on the piece writing	score sample	audio excerpt

*Secum (Empfindung an Laura)* (1997-99)
for symphony orchestra [3,3,3,3 – 4,3,3,1 – timp – 3 perc – harp – 12,10,8,6,4] duration: about 12’ Finalist at the International Composition Competition “Toru Takemitsu” in Tokyo 2000 World premiere Tokyo Opera City, 2000 - Tokyo Metropolitan Symphony Orchestra, Dir. Ryusuke Numajiri
on the piece writing	score sample	audio excerpt

*Frag (‘mente)* (2000)
for solo cello and symphony orchestra [3,3,3,3 – 4,3,3,1 – timp – 3 perc – harp – 12,10,8,6,4] duration: about 11’ 5^th Prize at the International Composition Competition “Valentino Bucchi” in Rome 2000
on the piece writing	score sample	audio excerpt

*Da/Fort* (2000)
for symphony orchestra [3,3,3,3 – 4,3,3,1 – timp – 3 perc – harp – piano – 14,12,10,8,6] duration: about 13’ World premiere Tokyo Opera City, 2003 - Tokyo Philarmonic Orchestra, Dir. Tatsuya Shimono
on the piece writing	score sample	audio excerpt

*Segel* (2007)
for symphony orchestra [3,3,3,3 – 4,3,3, – 3 perc – harp – piano – 14,12,10,8,6] duration: about 17’ Written for the Brandenburger Symphoniker World premiere Brandenburger Theater, 2009 - Brandenburger Symphoniker, Dir. Andrea Pestalozza
on the piece writing	score sample	audio excerpt

*Segel* (2011)
for symphony orchestra [2,2,2,2 – 4,2,3, – 3 perc – harp – piano – 12,10,8,6,4] duration: about 17’ New version written for the 55th International Festival of Contemporary Music Biennale in Venice World premiere at Music Biennale 2011 - Mitteleuropa Orchestra, Dir. Andrea Pestalozza
on the piece writing	score sample	audio excerpt

*Die Trennung* (2011)
for orchestra [2,2,2,2 – 2,2 – 3 perc – 12,10,8,6,4] duration: about 13’ World premiere Festival Play IT 2011 in Florence - ORT (Orchestra Regionale della Toscana)
on the piece writing	score sample	audio excerpt

Works for voice

*Ridondanze, ridondanze* (1992)
for reciting voice and amplified guitar to text by Andrea Zanzotto duration: about 12’
on the piece writing	score sample	audio excerpt

*Chiù* (1994)
for contralto and two sopranos (or for children’s voices) to text by Umberto Saba duration: about 7’ 1^st Prize at the National Composition Competition “Castello di Belveglio” 1994
on the piece writing	score sample	audio excerpt

*Lallen* (2002)
for soprano, mezzo-soprano, counter-tenor, tenor, barytone and bass duration: about 8’
on the piece writing	score sample	audio excerpt

*Stanza immaginata o intravista*** (2003)
for soprano and piano to text by Andrea Zanzotto duration: about 5’
on the piece writing	score sample	audio excerpt

*Allacciamento* (2007)
for reciting voice, flute, cello, percussion duration: about 5’
on the piece writing	score sample	audio excerpt

*...non coprire il mio sangue* (2009)
for choir (on a text by "Job" from the Old Testament) duration: about 6’ Written for Marco Berrini and the Milano Vocal Ensemble
on the piece writing	score sample	audio excerpt

Transcriptions

*Effusion musicales* (1996)
3 vocal compositions by G.Rossini for soprano, tenor, alto male voice and orchestra [1,1,1,1,1 – perc – 5,4,3,2,1] *La pastorella delle alpi (…e la mucca pazza)* for soprano and orchestra *L’orgia (…di un avvinazzato libidinoso)* for tenor and orchestra *Duetto buffo di due gatti (…e un percussionista assonnato)* for soprano, contralto (also male) voice (or tenor in falsetto) and orchestra duration: about 12’30”
on the piece writing	score sample	audio excerpt

*Il giuramento* (1997)
Notturno for chamber orchestra [1,1,1,1,1 – timp – 8,7,6,4,2] to a vocal composition by G.Donizetti duration: about 4’ publisher: Ed. Ricordi
on the piece writing	score sample	audio excerpt

Paolo Ferrari and Vittorio Zago: composition by two

*In-abstracto complexu: (l’)attività della musica* (1998)
for 2 pianos and 8 hands duration: about 12’ publisher: Ed. Rugginenti 1^st Prize at the International Composition Competition “Città di Pavia” 1999
on the piece writing	score sample	audio excerpt

*In-divenire ulteriore* (1999)
for violin (optional), percussion (1 player) and 2 pianos duration: about 8’
on the piece writing	score sample	audio excerpt

*A-più-menti* (2000)
for violin, horn, trombone, two pianos and reciting voice (text by Paolo Ferrari) duration: about 10’
on the piece writing	score sample	audio excerpt